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"So glad you have come," says Lady Rodney, in a tone that belies her words, and in a sweet silvery voice that chills the heart of her listener. "We hardly thought we should see you so soon, the trains here are so unpunctual. I hope the carriage was in time?" "Oh, Mona, if you could only know how wretched I was all last night," he says; "I never put in such a bad time in my life." "You will get murdered," says his mother, quite as indolently, half opening her eyes, which are gray as Geoffrey's own. "They always kill people, with things they call pikes, or burn them out of house and home, over there, without either rhyme or reason.".

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She lays her hand upon her heart, as though she would say, "The wound lies here," and once more turns to the door. The light from the great pine fire streams over all the room, throwing a rich glow upon the scene, upon the girl's flushed and earnest face, and large happy eyes, and graceful rounded figure, betraying also the grace and poetry of her every movement. "There wasn't much society to go into," says Mona, "and I was only fifteen when staying with Aunt Anastasia. She," confidentially, "made rather a grand match for us, you know." (Lady Rodney grinds her teeth, and tells herself she is on the point of fainting.) "She married the Provost of Trinity College; but I don't think he did her any good. She is the oddest old thing! Even to think of her now makes me laugh. You should have seen her," says Mrs. Geoffrey, leaning back in her chair, and giving way to her usual merry laugh, that rings like a peal of silver bells, "with her wig that had little curls all over it, and her big poke-bonnet like a coal-scuttle!" "Good-by," says Mona, softly, giving him her hand. He keeps it fast in both his own. Just at this moment it dawns upon her for the first time that this man loves her with a love surpassing that of most. The knowledge does not raise within her breast—as of course it should do—feelings of virtuous indignation: indeed, I regret to say that my heroine feels nothing but a deep and earnest pity, that betrays itself in her expressive face..